간행물

한국언어문화 update

Journal of Korean Language and Culture

  • : 한국언어문화학회 ( 구 한양어문학회 )
  • : 어문학분야  >  언어학
  • : KCI등재
  • :
  • : 연속간행물
  • : 연3회
  • : 1598-1576
  • :
  • : 한양어문(~19권/~2001) → 한국언어문화(20권~/2001~)

수록정보
41권0호(2010) |수록논문 수 : 13
간행물 제목
41권0호(2010년) 수록논문
권호별 수록 논문
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KCI등재

1≪별건곤≫에서 드러난 도시 부르주아 문화와 휴양지 표상

저자 : 전혜진 ( Hye Jin Jun )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 41권 0호 발행 연도 : 2010 페이지 : pp. 5-31 (27 pages)

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This paper aims to examine representation of resort places. It is basically a process to the meaning of resort which is planned for extension of the urban bourgois culture, and a work to understanding of deep structure which constructs these places. The Byoelgungon, which published for the purpose of inspiring taste for the proletariat though, shows what the people should enjoy and the way of enjoying as the taste for the bourgoisie. The notion of taste like this forms city laborers as the bougrgoisie which is exactly imagined and constructed. Therefore taste becomes to have a ideological function as offering a sort of patterns of consuming and enjoying leisure time. Representation of resort in the Beolgungon is object to various places such as temples, mineral springs, hot springs, beaches, waterfalls, islands and so on. A distinct character of these spaces is fatigue given by the city. Because enjoying leisure time comes from a attempt to organizes(or imagines) subject as the city dweller by ownself, it relates consumption and labour for which the people prove themselves as a person who is able to consume. That is why the leisure time interrupt a real rest. As the resorts are objective to the city and a complement to the city life, they have leftovers of city. In fact, needs for an alternative resort show that failure of resorts as a place of rest. Enjoying leisure time, then, provides ideology which makes city life firmly for labourers in the city. Representation of resort is a fantasy which supports this ideology. However, capital from the empire makes urban culture which is supported by that ideology possible. Resorts are controlled by huge corporations, and constructed like themed parks. In these places, the urban subjects moves through the path which controlled by the companies, that is, colossal capital. Internalizing this path, the people also internalizing the law of colonialism. And the leftovers called sentimentality. Sentimentality not only interrupts the people insight the structure of logic of colossal capital but also makes the people satisfied with reality. In short, the urban culture and the notion of taste such as enjoying the leisure time are dominated by colossal capital, which absolutely comes from the empire.

KCI등재

2≪별건곤≫의 직업관련 기사와 그 특성

저자 : 조미희 ( Mi Hee Jo )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 41권 0호 발행 연도 : 2010 페이지 : pp. 33-58 (26 pages)

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The purpose of this essay is for analysis about various aspect of article of modern occupation in Byolgeongon. Magazine Byolgeongon was quite famous in the 1920s~1930s with a hobby book. This book was chosen as the subject of study because it is characterized by using topics about entertainment, culture and personal life style in the focus of citizen. Byolgeongon was first published in 1926, and it is described as vivid city life which turned into the world by the subject of personal interests. From this early efforts, people were considered as the areas of personal life, especially related with jobs. In modern life it shows that human get a job for lasting city life. Also, it brought the important topics with public opinion. Moreover, Byolgeongon has a wide audience all over the country because it ranged over various hobbies and useful articles for leader`s tastes. Therefore, on Byolgeongon it easily find that an profession and modern ordinary life related in every concern as well as education.

KCI등재

3도교 서사의 문화콘텐츠화 가능성 고찰 -교인(鮫人) 이야기를 중심으로

저자 : 강민경 ( Mon Kyoung Kang )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 41권 0호 발행 연도 : 2010 페이지 : pp. 59-84 (26 pages)

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This article aimed at collecting, analyzing merman stories in Eastern Asia and examining possibility as cultural contents. Asian merman was called Kyo-in, Neng-in, Jeo-in and Haeinuh. The merman were real familiar to medieval Asian. Asian merman had human face. They were as tall as human-being and they had scaleless white skin. And Kyo-in made silk, their tears became pearls. Western mermaid was hostile to human, developed by mutation, but Asian merman was very friendly to human-being, they knew returning one`s favor. They are weaker and feebler than human. Western merman stories started as negative images, but they were reborn to medial images, fantastic images and patron saint`s images. If Asian merman stories are created, we can make a lot of interesting narrative structures.

KCI등재

4남대현의 ≪청춘송가≫ 연구 -주인공의 의식 변모 양상을 중심으로

저자 : 고인환 ( In Hwan Ko )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 41권 0호 발행 연도 : 2010 페이지 : pp. 85-104 (20 pages)

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A ≪Cheongchun Songa(1987)≫ by Nam Dae-hyeon is loved to readers of North and South Korea. The ≪Cheongchun Songa≫ represents passion and love of North Korea young people. Therefore South Korean sympathize with the ≪Cheongchun Songa≫ reflects universal life. This study concerns the changes of the Jin-ho(protagonist)`s consciousness with a way of desire in the novel of North Korea. That`s means the novel of North Korea has a minute crack to social ideology. The ≪Cheongchun Songa≫ shows reality of North Korea and passion draw fine picture of his future happy life. That arouse tension between literature(novel) and reality, desire and ideology. Because the ≪Cheongchun Songa≫ has private desire of writer basically. So far, the novel of North Korea had propagated that a conscience(truth) will win one-sidedly. But this work shows how a truth had won. The problem is that a belief(truth) is brought out relative aspect in this novel. The belief is transformed while facing real life. This shows a dilemma, how ideology of regime is actualized of the North Korea vividly. A ≪Cheongchun Songa≫ by Nam Dae-hyeon introspects group consciousness of North Korea society and shows a diversity life between appropriateness and reality, past and present, ideology and desire.

KCI등재

5상징어를 구성요소로 하는 한국어 관용구의 목록 설정 재고

저자 : 권경일 ( Kyung Il Kwon )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 41권 0호 발행 연도 : 2010 페이지 : pp. 105-126 (22 pages)

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Korean dictionary tends not to provide proper lexical entry of Korean idioms. This paper seeks to reconsider lexical entry of Korean idioms using symbolic words. Symbolic words can be varied by consonant vowel alternation, derivation or repetition. These morphological characteristics of symbolic words can be applied to reconsider variation of Korean idioms composed with symbolic words. Symbolic words composing idioms show differency in variation with general using. Proper entry informations of idioms should be illustrated in the dictionary for learners for Koreans as foreign language. Informations of lexical entry of Korean idioms are essential to foreign learners so dictionary present proper entry of Idioms. Dictionary of Symbolic words would include the informations discussed in the above.

KCI등재

6한국 전통춤사위에 나타난 원(圓)형태의 미학적 해석

저자 : 김지원 ( Ji Won Kim )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 41권 0호 발행 연도 : 2010 페이지 : pp. 127-155 (29 pages)

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The traditional dance moves of Korea demonstrate the commonalities in general. To be more specific, the animal imitating dance to worship holy animals, the move that takes the form of left-turning dance(左回舞) that signifies the transmigration of souls, and the dance that takes the lowly-squatting form by regarding the earth as the matrix to pursue this world manifest the same symbolic implications. In this context, the world view that our dance symbolically pursues is displayed in the dance moves of a circular form. The usage of relatively same terminology with respect to the circular form and the formation of a circular dance that is explicitly expressed in the work fully demonstrate the aesthetic element in the Korean dance. Therefore, this study has looked into the symbolic implications by lumping the circular forms shown in the Korean dance and discusses the ideology of the Korean dance contained in a circle in the aesthetic form. In other words, the aesthetic interpretation of a circular form shown in the Korean dance has been analyzed centered on the terminology on the dance moves or the morphology of the circular form displayed in the dance work. Most notably, this study pays close attention to the general terms that are regarded common in the Korean dance moves which pursue curve lines and the circular forms shown in dance works so as to penetrate into the symbolic implications that are to the core and universal.

KCI등재

7경석(經石) 윤하용(尹夏鏞)의 감구시(感舊詩) 일고(一考)

저자 : 박종훈 ( Chong Hoon Park )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 41권 0호 발행 연도 : 2010 페이지 : pp. 157-181 (25 pages)

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Yoon Hayoung introduced 74 people in his own time with writing poems Chuyagamgusi(remembrance poems of a fall night) in 1947 and Sokgamgusi(a sequel remembrance poems) in 1956. We can understand not only the trace of people living the period from Japanese colonial era to the Korean War but also the phases of the times due to these materials. Yoon Hayoung`s remembrance poems mainly consisted of personal emotions. He tried varieties of changing to put object facts and subject assessments on target people in short forms of poetry. Also in the latter part, he positively introduced episodes related to target people with personal assessments. To overall understand poems, he offered information on the target people or minutely explained episodes through he attached footnotes on about 30 poems of 74 poems. Some people of the target people in Yoon Hayoung`s remembrance poems participated in pro-Japanese group, the Enlightenment, army raised in the cause of justice or anti-Japanese movements. Yoon Hayoung clearly recognized two groups and choose different description ways. On the people participating in pro-Japanese group, he never commented on their political acts focusing on their literary talent or their personality. On the contrary, he focused anti-Japanese movements and mainly wrote acts related to anti-Japanese of the people concentrating on anti-Japanese movements. In addition he explained acts of Japanese with footnotes. Through his different attitude we can see his consciousness. Not to introduce political acts of people in pro-Japanese group was a reflect that Yoon Hayoung had negative consciousness about them, or he was aware about assessments of his own age or historical assessments. While he wrote concrete acts of people participating in anti-Japanese movements. It seemed that he authorized the justice to their acts.

KCI등재

8연행로(燕行路)의 문명로적(文明路的) 위상 검토, 그 의의와 한계 -17세기 초 유몽인(柳夢寅)의 산문을 중심으로

저자 : 이승수 ( Seung Su Lee )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 41권 0호 발행 연도 : 2010 페이지 : pp. 183-210 (28 pages)

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The year 1609, when experience and awareness of Yu Mongin on the road of diplomatic travels to Beijing reached the peak, is about the middle point in the 700--year`s history of diplomatic travels to Beijing. It is the time when East Asia reorganized its political order and Ming dynasty was replaced by Ching dynasty in China. Joseon needed to urgently reflect its administration and find out new ways for survival and sustainability as undergoing Imjinwaeran(Japanese invasion in 1592) and Byeongjahoran(Manchu war in 1636). Yu Mongin believed that Joseon overcame the national crisis by progressively learning the systems and culture of Ming dynasty. The road of diplomatic travels to Beijing means the cultural rebirth to him. His diagnosis and measures to social ills of Joseon dynasty were urgent, progressive and realistic as much as the diagnosis and measures by Bukhakpa(northern learning faction) scholars in late 18th century. Nevertheless, the awareness of Joseon dynasty on CHina was very superficial and restricted. While there was a number of reasons for such awareness, one of the main reasons was that Joseon society failed to cultivate the responsible experts on China. In such circumstances, the notional knowledge on China was saturated and so interrupted proper understanding on others and self-awareness. Yu Mongin who showed the best knowledge and awareness on reality in his period was not an exception. Yu Mongin saw only the absolute importance of road of diplomatic travels to Beijing and superiority of Chinese civilization but completely failed to recognize the change of road of diplomatic travels to Beijing by others and historical upheaval in the near future. He also couldn`t go beyond the limit of "Notional Past" in the recognition on China. Yu Mongin`s awareness on road of diplomatic travels to Beijing demonstrated that the efforts of Joseon and its choicein early 17th century were failed. The road of diplomatic travels to Beijing has both openness and closeness at the same time. We could have improved the civilization level by continuously accepting the news from the world as well as advanced culture of China through the road of diplomatic travels to Beijing for about 700 years. The road of diplomatic travels to Beijing was the path where the driving force forming the civilization of Joseon was delivered. The road of diplomatic travels to Beijing was the path linking Joseon to the world. On the contrary, the road of diplomatic travels to Beijing was also a blocked path. Since there were no roads to the world except the road of diplomatic travels to Beijing, we would be alienated from the world if the road was paralyzed. However, even that road was ended in Beijing. The road was the same as a dead alley because we didn`t have courage or qualification to extend the road. If we compare a road to a blood vessel, the road of diplomatic travels to Beijing was the blocked blood vessel. The unconditional dependence on such a closed road was the reason for the failure of Joseon dynasty in early 17th century and why Joseon dynasty couldn`t keep pace with the world in the 19th century.

KCI등재

9한용운 시 <알 수 없어요>에 대한 일고찰 -구조와 의미의 문제를 중심으로

저자 : 이재복 ( Jae Bok Lee )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 41권 0호 발행 연도 : 2010 페이지 : pp. 211-229 (19 pages)

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The virtue of Manhae`s poetry is what it doesn`t lean to any side. In this case the problem about poetry and Zen can be occurred at first. Zen usually uses converse logic and illogic. The world of enlightenment which is the goal of Zen can be revealed with converse logic and illogic. This means both contradiction and paradox at the same time. The contradiction and paradox are the essential logics which people can understand poetry with. They show complex layers of meaning. The layers of world are the complexity of structure. The complex fractal structure which is shown at his poem and collection poems ≪Your Silence≫ reveals the complexity of universal existence aspect. The structural beauty covers both Zen and poetry. Whatever it is Zen, or poetry, that`s why the structural beauty is revealed with language. In this point of view the important thing is that Zen and poetry through language or the tension between structure of Zen and poetry`s structure. The tension between Zen and poetry keeps one world from leaning to the other one. That`s why and ≪Your Silence≫ show the world of Zen deeply and beauty the world of poetry has totally. If it is the virtue of Manhae`s poetry, the important thing in criticizing and interpreting his poetry is the structural tension between Zen and poetry that are formed by language.

KCI등재

10<가시리>의 편사(編詞)와 문학적 해석

저자 : 이정선 ( Jeong Seun Lee )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 41권 0호 발행 연도 : 2010 페이지 : pp. 231-256 (26 pages)

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is the song that contains a sorrowful heart to a leaving thee and it is Koryeogayo(高麗歌謠) of unknown author. As I focused on differences between lyrics and a chorus on , the Chorus is thought to be added to lyrics, when is accepted to court music from popular song. The choruses of Koryeogayo are known for instrument`s sound. However, the existence of the word that means `the age of piece` is the distinguishable character from others. Therefore, I examined by spliting into three parts such as `the world of `, `the meaning of the chorus` and `the edited `. While the original song describes the pain of separation, `wee-zeungzeulga-daepyeongsungdae` which means `To extol a king`s virtue`, is inserted into the chorus. However, the chorus is interpreted to metaphorical expression like `the good time between man and woman`, which is well-fitted to the whole meaning of . Sometimes the original song of receives low estimation because it is not a poetic statement but sensible and living private statement. However, as the chorus that has synonyms is added and is accepted to court music, the edited meanings are expanded and got across. At this moment, we can find that the chorus is not completely different with original lyrics but closely connected with each other. Therefore, the narrator of expresses his sorrowful feelings in three dimensions as the chorus is being inserted into original lyrics. If "daepyeongsungdae" (大平盛代) which means `the age of piece`, is interpreted into "Remember the good time of us", the chorus can be understood in the intention of narrator whom wants to change leaving thee`s mind back with narrator`s message in the original song. On the other hand, we can estimate an author`s ability to look at the work if we think that the title of is differently expressed as "-> Guihogok(歸乎曲)->Gasiri (嘉時理) (which means the beautiful time)" according to the books containing it as an aspect which the codifier created and included the lyric`s meaning in the title. " passed this day" (the edited ) which made from the joint effort of the original song of the public and an addition of the chorus in court music, plays a key role in increasing the literary value of Koryeogayo. Also as sung in the public is accepted at court and is used as court music, it is evaluated as `the song that strengthen the unity like the relationship between sovereign and subject`. It is assumed that this song might be known for the public again. when this relationship is considered, `the edited ` expressed the joys and sorrows of the public and aspirations toward love between a man and a woman across the meaning of sovereign and subject.

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