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영어영문학연구 update

Journal of The English Language and Literature

  • : 한국중앙영어영문학회
  • : 어문학분야  >  영문학
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  • : 계간
  • : 1598-3293
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수록정보
수록범위 : 1권1호(1968)~61권3호(2019) |수록논문 수 : 1,843
영어영문학연구
61권3호(2019년 09월) 수록논문
최근 권호 논문
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KCI등재

1Moving Between India and America: Lavanya Sankaran's Return Stories in The Red Carpet

저자 : Ko Jeongyun

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 3호 발행 연도 : 2019 페이지 : pp. 1-23 (23 pages)

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The paper attempts a close reading of two short stories “Alphabet Soup” and “Apple Pie One by Two” from Lavanya Sankaran's The Red Carpet. It examines the short stories as narratives that successfully represent various impacts of current century's transnational movements on heterogenous diasporic Indians. By focusing on the Indian city of Bangalore in the depicted transnational movements, Sankaran succeeds in presenting new light on continuously changing natures of transnational movements of the new century. The Bangalore city, known as India' silicon valley, experienced and explored by returnees from America defies any easy description. For Indian Americans, the return visit to Bangalore forces a complete reconstruction of Asian American identity. To high-skilled professional migrants, Bangalore provides unprecedented chances, allowing them to have transnational connections while staying in India. However, the characters' individual choices and preferences are also governed by national policies of both India and America and also by the flow of global capitalism. Sankaran succeeds in presenting the very heterogeneous nature of such transnational movements between America and India and carefully represents how each character's identity is constantly re-negotiated in the process.

KCI등재

2『타르 베이비』에 나타난 식민화와 탈식민화의 역설

저자 : 공명수 ( Kong Myung-su )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 3호 발행 연도 : 2019 페이지 : pp. 25-42 (18 pages)

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This paper aims in analysing the diverse vision contained in the paradox of colonialism and postcolonialism, exploring the multiplicity of the disparate meanings immanent in Tar Baby myth. The Tar Baby tale as a metaphor of entrapment has one meaning for Jadine and another for Son, as this ambivalence becomes the focus of Toni Morrison's interest in the tale as a repository of the different cultural identities. Jadine and Son attack each other missionary fervor for their own ideology in Caribbean island and New York. As Son struggles to free her from servitude to Valerian, an exploitative capitalist system, Jadine appears as committed to rescue Son from the racial and sexual hierarchy that she identifies in Eloe, all-black rural community. When Jadine takes flight for Paris, Son retreats into to seek another opportunity for his ongoing quest. As Son finds the path of his inner self, Jadine is creating for self-fulfillment as a means of achieving whole freedom. Though their relationship ends in separation, the paradox of colonialism and postcolonialism that characterizes their conflicts of race, sex, and class results in triggering the diverse vision of consciousness.

KCI등재

3『내가 죽어 누워 있을 때』에 나타난 의미의 논리와 역설 연구

저자 : 김대중 ( Kim Dae-joong )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 3호 발행 연도 : 2019 페이지 : pp. 43-66 (24 pages)

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This study closely reads and analyzes William Faulkner's As I Lay Dying utilizing Gilles Deleuze's critical and philosophical concepts― event, sense, paradoxes. Gilles Deleuze's Logic of Sense explicates how events emerge and bring forth series which on the surface abuts sense that, corresponding with events, coexists with nonsense. According to Deleuze, sense and nonsense are in the same realm of meaning albeit extending in opposite directions. This paper in the first section summarizes and exemplifies Delezue's logic of event and sense as well as Stoic philosophy and ethics. With this theoretical and philosophical scaffoldings, the paper delineates paradox of death and life in Addie's narrative; Addie's paradox and its implication of Stoic ethics resonate with Darl's paradoxical speculation on being and Stoic ethics of absolute acceptance of the fate. Darl's philosophical speculation also connotes paradoxical concomitance of sense and nonsense. The paper then explores more obscure paradoxes in Vaderman's nonsensical analogy of mother and fish. Vaderman, implicating paradoxes in Addie's narrative and Darl's ethics, reveals the true meaning of univocity of being in chaos. In the final section, the paper implicates further studies on other literary works utilizing Deleuze's idea of sense and nonsense.

KCI등재

4정동적 언어, 정동적 주체: 조이 하조의 『미친 사랑과 전쟁 속에서』 읽기

저자 : 김성훈 ( Kim Seonghoon )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 3호 발행 연도 : 2019 페이지 : pp. 67-95 (29 pages)

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This paper offers a comprehensive examination of how affect and affective languages work in the poetry of Joy Harjo, particularly focusing on her 1990 poetry collection, In Mad Love and War. After briefly summarizing important concepts of affect theory, this paper presents affect as closely associated with bodily functions that influence and produce emotional responses of a subject who interacts with other subjects and particular circumstances. Many poems in In Mad Love and War such as “Grace,” “Deer Dancer,” “Bird,” “A Hard Rain,” “City of Fire,” “Nine Below” represent various aspects of affective functions that include the encounters and collisions between the individual subjects, the interactions between the individual subject and the collective subject, and the relationship between the subject and language. This work, however, is not intended to support a simplified analysis or easy application that fits the poetry of Harjo with the particular identity of Native American into the framework of the mainstream theory of affection. To avoid such a one-side approach, this paper specifically examines the intersections between important concepts of affect theory and Harjo's poems in the context of feminist perspectives, Native worldview and colonial history.

KCI등재

5앨리스 먼로의 『가출』에 나타난 떠남과 귀환의 대화

저자 : 남승숙 ( Nam Sungsook )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 3호 발행 연도 : 2019 페이지 : pp. 97-117 (21 pages)

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The paper explores Alice Munro's short story “Runaway” based on Bakhtin's dialogism theory. The protagonist, Carla, leaves for pursuit and returns as soon as the journey begins. She goes to the outside world for pursuit, but ironically it is what she can get inside. The authentic life she pursues is a life for internal dialogism in which dialogic interaction with others takes place. As a core discourse of this story, this paper explores Munroe's discourse on interactions and interrelations that form internal dialogism. To do this, this paper analyzes the types of dialogue among the three main characters, identifies the deficits that are detrimental to their internal dialogue. and presents the need for the change of their talking habits. Carla has a defect that clings exclusively to other languages and is unable to speak her own language. Carla's husband, Clark uses only a monologue that does not allow others, so he threatens and endangers others. A neighbor of this couple, Sylvia makes the mistake of projecting her own language to others. Carla's return from runaway provides an opportunity to correct the shortcomings of three main characters. However, Morrison reveals that there is always contradiction in human beings' dialogue. Their dialogue will constantly be ironic, repeating building and destroying contradictions.

KCI등재

6The Transcendental Deconstruction of Subjectivity and Objectivity in Humboldt's Gift

저자 : Song Jeung-hyeon

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 3호 발행 연도 : 2019 페이지 : pp. 119-140 (22 pages)

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The purpose of this paper is to examine how Saul Bellow dismantles the traditional interpretation of the subjectivity and objectivity through transcendentalism in Humboldt's Gift. In general, we distinguish the perceiver from the things that are being perceived. According to mystical epistemology such as Hinduism or Emersonian transcendentalism, however, everything in the universe exists as an integrated entity that is not separated from each other; you are not separated from I and even inanimate beings exist as an integrated monolithic entity that is not separated from all beings in the universe. Bellow employs these transcendental elements in Humboldt's Gift to dismantle the distinction: the subjectivity and the objectivity. The main character of the novel, Citrine, is being destroyed by people who exploit him. However, with his transcendental insight, he does not see himself and others as beings that are separated from each other. He thus recognizes himself and all of the creation of the universe as a connected entity, neither paying attention to the secular interest of the world nor minding suffering from anguish. The author thus dismantles the dichotomy between the subjectivity and the objectivity through the protagonist's transcendental consciousness.

KCI등재

7앨리스 랜달의 『사라진 바람』에 나타난 글쓰기 치료

저자 : 신진범 ( Synn Jinbeom )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 3호 발행 연도 : 2019 페이지 : pp. 141-160 (20 pages)

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Alice Randall's The Wind Done Gone is an outright parody of Margaret Mitchell's Gone with the Wind. This work consists of 114 journals which Cynara has written to find clarity from her traumatic and sorrowful life. In this article, I analyze various features of her journals and their roles in changing Cynara's perspectives and soothing her traumas. Randall grapples with the harmful Mammy figure and docile slave stereotypes in Gone with the Wind and introduces wise and trickster-like blacks to depict new black characters and correct wrong and twisted representations of antebellum South and Reconstruction era. Continuous and tenacious journal writings enable Cynara to face her traumas courageously, analyze her surroundings as well as intricate, unfathomable and interconnected human relationship in detail, and finally forgive unforgivable people including her mother and Other. After finding clarity and inner peace, she chooses to be an unmarried mother who can stay close with Congressman and his wife, and her beloved son, Cyrus who becomes a catalyst of her true love and high self-esteem. At the end of this novel, she seems to be transformed into a free bird which has silenced strong traumas, and is ready to soar into the sky freely and waits for tomorrow's wind.

KCI등재

8노라 옥자 켈러의 『종군 위안부』에 나타난 여성적 글쓰기

저자 : 신혜정 ( Shin Hyejeung )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 3호 발행 연도 : 2019 페이지 : pp. 161-185 (25 pages)

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This study aims to investigate the feminine writing in Nora Okja Keller's Comfort Woman focusing on Helène Cixous' feminine writing. According to Helène Cixous, feminine writing is a subversive method against the phallogocentric and logocentric system. In the logocentric system, women have been considered as being inferior symbolizing passivity/nature/body etc. to men considered as being of activity/ culture/mind etc. This binary concept can be deconstructed through feminine writing that takes place in the 'between' site of the dichotomic concepts. Women can challenge the logocentric system accepting others and destabilizing language system. Comfort Woman by Nora Okja Keller has some features of feminine writing. First, using shamanism, the multiple meanings of feminine writing are specifically personified. Akiko as a shaman is identified with other characters accepting others in her body. Second, Korean folk tales represent the ambivalence of stories, and the ability of transition and deception that are essential for women to survive. Third, the river and the song symbolize women's nonstop resistance through the image of fluidity and movement. With these characteristics, feminine writing in Comfort Woman helps women to move one step further to the women's solidarity.

KCI등재

9『겨울이야기』에 나타난 사회치유적 자매정신

저자 : 조미경 ( Cho Mikyung )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 3호 발행 연도 : 2019 페이지 : pp. 187-206 (20 pages)

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This study examines the women's sisterhood which results in giving hope and rejuvenating the society in the Winter's Tale. Male characters such as Leontes and Polixenes caught in the linear thinking of patriarchy, reconcile and were reborn through the devoted motherhood and the maternal sisterhood of women such as Hermione, Perdita and Paulina. Caught by linear and patriarchal thinking, Leontes recognizes the creation and wisdom of women such as Hermione and Paulina, who represent the cyclical image of nature, as treason and denial challenging him. With his baseless jealousy for adultery, Leontes orders Hermione to be imprisoned for adultery and treason and to abandon her daughter, Perdita, to a distant place as an illegitimate child. Leontes, who lost his heir, spent 16 years in regret and grief. Bringing a new life force to Sicilia, the barren land, is the motherly sisterhood of Hermione and Paulina and the vitality of Perdita described as “Maiden of Spring.” The archetypes of the motherly sisterhood can find in the Demeter and Persephone myths of Greek mythology. Shakespeare shows through The Winter's Tale that the solid bond and the sisterhood of women can function as a positive force which changes the people and the society around them beyond family harmony.

KCI등재

10Event Delimitedness and a Quantified Object Noun Phrase

저자 : Kim Kyumin

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 3호 발행 연도 : 2019 페이지 : pp. 207-227 (21 pages)

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It is well known in the literature that a quantity of an object can affect the properties of the event denoted by the VP (e.g., Verkuyl 1972, Tenny 1994, Borer 2005, Travis 2010) such as event delimitededness (Tenny 1994). A delimited event has an inherent endpoint, and thus the event is viewed to be completed. For example, in the English sentence, 'Max ate two apples.', the event of eating two apples is understood to have an endpoint. This is because the event contains a quantified object such as 'two apples': the event will reach the endpoint when two apples are all consumed. This paper examines whether this type of well recognized correlation between event delimitedness and a quantified object is observed in a classifier language such as Mandarin where a classifier is employed to quantify a noun, unlike English. Interestingly, it is shown that the correlation in an English type language is absent in Mandarin; for example, a quantified noun via a numeral classifier (e.g., san ge pingguo 'three apples') does not contribute to event delimitedness in a sentence such as 'He ate three apples.'. Moreover, it is shown that major approaches to nominal structure of Mandarin such as Cheng and Sybesma (1998, 1999) predict a similar correlation observed in English, contrary to the fact. Consequently, those approaches cannot account for the absence of the correlation.

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