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Music and Culture

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수록정보
수록범위 : 1권0호(1999)~41권0호(2019) |수록논문 수 : 361
음악과 문화
41권0호(2019년 09월) 수록논문
최근 권호 논문
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KCI등재

121세기 한국음악학: 지금 여기 우리를 다(하나로) 담아내는 그릇이어야

저자 : 박미경 ( Mikyung Park )

발행기관 : 세계음악학회 간행물 : 음악과 문화 41권 0호 발행 연도 : 2019 페이지 : pp. 5-26 (22 pages)

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This article is an attempt to diagnose the present situation of musicology in Korea and to promote the future in response to the changes in the global society of the 21st century. Starting with how far our musicology came, and also asking how our scholars assessed its development, this article has analyzed a series of works to identify the problems and crisis consciousness that musicologists have had so far. Furthermore, the process moved me to the thought that we should do what we could do first, and to the hope that we could do it. This article is about a series of enlightenment and practical suggestions gained through answering the questions.
Under the framework of "Western art music and the Other," the two-pronged system of musicology, which seemed never to collapse, clearly shows its collapsing stage in the in the 21st century's global community. Overcoming the knowledge accumulated in the existing "strong" disciplines of musicology, the direction now is to promote an 'not-to-be hard and old', 'newly mixing' and 'creative construct' identity, which is now showing an active energy that advances not only as an entity but also in the methodology. The recognition of such a phenomenon in the global community makes us want to see our musicology of "here we are now": "Korean musicology in the 21st century: It should be a vessel that captures us all (as one) here," and it is very urgent to find specific tasks for our scholars to carry.

KCI등재

2한국근현대음악사를 보는 3가지 시선

저자 : 이경분 ( Kyungboon Lee )

발행기관 : 세계음악학회 간행물 : 음악과 문화 41권 0호 발행 연도 : 2019 페이지 : pp. 27-47 (21 pages)

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What does mean studying Korean modern music history of 20th Century in the 21st Century? This essay tries to answer this question and explores three perspectives for new approaching to Korean modern music history as follows.
Firstly, studies of the Korean modern music history have been rarely interested by the Korean musicologists. Global aspect could enrich the studies which will provide finding new historical documents, materials of Japan, Berlin, Shanghai or Washington D.C. etc. Secondly, since strong dichotomy of pro- and anti-Japanese and also pro- and anti-communism have dominated in the research in the Korean modern music history so far which produced poor results, it should be surmounted. Thirdly, a dialectical approach to historical facts can lead to a new perspective to see the same facts in totally different way. Consequent study of the past in this context does mean emancipation from the past.

KCI등재

3음악학에서 소리연구(Sound Studies)로

저자 : 정경영 ( Kyung-young Chung )

발행기관 : 세계음악학회 간행물 : 음악과 문화 41권 0호 발행 연도 : 2019 페이지 : pp. 49-77 (29 pages)

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The purpose of the article is to introduce Sound Studies to musicologiests and to invite them to this new scholastic area. The meaning`of sound is not defined but constructed in the scoio-cultural context. Sound Studies pursues the meaning of sound. It is rather an extension of the conventional musicology than a new invention. If the musicologists' work is to find the meaning of sound within the context of musical composition, Sound Studies scholars trie to find it within the scoio-cultural context. If musicologists have been tried to read the society and culture that are carved in the musical works, Sound Studies try to 'haer' classes, genders, generation gaps, and regional differences through the ubiquitous and acousmatic sound around us.

KCI등재

4디지털데이터를 통한 음악연구의 가능성

저자 : 이미경 ( Mikyung Lee )

발행기관 : 세계음악학회 간행물 : 음악과 문화 41권 0호 발행 연도 : 2019 페이지 : pp. 79-102 (24 pages)

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This study attempted to show how digital data appeared in the field of musicology and what possibilities it has for music studies. To this end, I compared two sets of research cases that used analog data and the other using digital data. The first set to compare is the two cases where the performances on the record are the subjects of research, and the case of comparing and analyzing by the researcher's ear is compared with the case using the statistical method by converting the performances recorded on the record into digital data. The second set compares the work of A. Lomax, who collected over 1,800 songs, with recent research using big data analysis. Through the two sets of case comparisons, the research meanings, methodological limitations, and prospects of the method of studying music with digitized data are explored, and the possibility of such research methods in Korean music studies is discussed from the performance analysis perspective.

KCI등재

5중국 숫자보에 관한 담론 연구

저자 : 한신홍 ( Han Xinhong ) , 손민정 ( Minjung Son )

발행기관 : 세계음악학회 간행물 : 음악과 문화 41권 0호 발행 연도 : 2019 페이지 : pp. 103-134 (32 pages)

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The purpose of this study is to analyze the social, cultural, and educational meanings of the Chinese numbered musical notation by analyzing the Chinese modern academic papers on its uses. Numbered musical notation originated in Europe was introduced to China at the end of the 19th century through musical culture exchange, gradually changing according to the regional characteristics of China, and ended up with the present Chinese numbered notation. The current numbered notation has become a systematic system in the field of public education such as basic music education and popular music in China. The research method applied in this study is to translate academic papers related to Chinese scholarship from 1951 to 2018 into Korean and then use the qualitative research software < Nvivo12 > to interpret the multi-layered determinants involved in the discourse. Through this study, it can be seen that the discourse of the academic community about numbered notation has changed with the changes of Chinese music education and education policy since the foundation of the country, also having cultural policy and international relations of the Chinese government.

KCI등재

6노래방 레퍼토리 신곡선정에 작동되는 기재와 그 음원의 제작 과정

저자 : 김칠두 ( Chil-doo Kim )

발행기관 : 세계음악학회 간행물 : 음악과 문화 41권 0호 발행 연도 : 2019 페이지 : pp. 135-160 (26 pages)

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Noraebang is an important place in Korean modern culture. Regardless of gender or age, it has been loved by all generations and sometimes plays a role to unite these generations, positions, and gender. The majority of cultures repeat generation and evanishment every few years, and the cycle of its generation and evanishment is getting shorter and shorter.
However, Noraebangs have been maintained its traditional style around for nearly 30 years, and this is a unique characteristic of only Noreabangs that is not found in other cultures. The most important thing in constructing a Noreabang is the repertoire. And the repertoire of Noreabang will be consisted of only some selected songs of the various songs released on the music market. Semi-mainstream producers operate a music department for producing repertoires, and the power of their selection and production can be said to have a significant impact on the company's survival.
The Noreabang will be screened for several songs of the various songs released on the market, and songs that meet the criteria will be approved by the copyright association. The songs that have been approved for copyright and their digital musics are produced in music through media experts, given the number of songs, and then supplied with a Noreabang machine. The half-cycle repertoire repeats the cycles of maintenance, withdrawal, and repair. This paper shows in detail how the Noreabang repertoire is selected and produced, and includes the whole process of supply, maintenance and expelling, repair, etc.

KCI등재

7한국음악학 제2세대의 좌표와 향방을 진단한다 -세계음악학회 20주년 기념 학술대회 참관기-

저자 : 이소영

발행기관 : 세계음악학회 간행물 : 음악과 문화 41권 0호 발행 연도 : 2019 페이지 : pp. 161-168 (8 pages)

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KCI등재

9종족음악학에서의 구조적-기능적 접근법

저자 : Ruth M. Stone , 김묘신

발행기관 : 세계음악학회 간행물 : 음악과 문화 41권 0호 발행 연도 : 2019 페이지 : pp. 191-211 (21 pages)

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가장 많이 인용된 논문
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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동41회 피인용

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