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한국로렌스학회> D. H. 로렌스 연구

D. H. 로렌스 연구 update

D. H. Lawrence Studies

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수록정보
수록범위 : 1권0호(1991)~27권1호(2019) |수록논문 수 : 423
D. H. 로렌스 연구
27권1호(2019년 06월) 수록논문
최근 권호 논문
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KCI등재

1“나를 사랑하나요?”: 정동이론으로 바라본 D. H. 로렌스의 「말장수 딸」

저자 : 강병희 ( Byounghee Kang )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 27권 1호 발행 연도 : 2019 페이지 : pp. 1-24 (24 pages)

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This essay attempts to read D. H. Lawrence's “The Horse Dealer's Daughter,” through the affect theory by comparing it with James Joyce's “The Boarding House.” The main motivation of this study is to clarify those gigantic themes of critical approaches to Lawrence's novels, such as the unknown, the mystery, and the unconscious self into the technical terms of the affect theory.
To elucidate the affective quality in Lawrence's novels as the two short stories are compared, it contrasts affect with emotion referring to Brian Massumi's theory, which distinguishes affect from emotion arguing they follow different logics and belong to different orders. According to Parables for the Virtual, “An emotion is a subjective content, the sociolinguistic fixing of the quality of an experience which is from that point onward defined as personal.” Consequently, an emotion can be accepted by others as well as delivered to others. However, affect is “unqualified,” so it is “not own able or recognizable and is thus resistant to critique.” It means affect cannot be verbalized and cognized though it can move the state of a body. It just flows between people and exists as possibilities of life.
This paper focuses on the reasons Ferguson and Doran promise to marry in order to demonstrate the affective quality. The introductory part of Lawrence's short story shows that Mabel and Ferguson don't seem to notice each other properly. Then abruptly Mable asks Ferguson if he loves her as she comes to her mind after she is rescued from the pond by Ferguson. It embarrasses readers as much as Ferguson because until that moment it is never read that she has any feeling with him. This writing argues what makes her say this question is affective love. It is proved by comparing the emotion by which Doran makes a promise to marry Polly.

KCI등재

2유희적 사랑과 손의 미학

저자 : 우정민 ( Jung Min Woo )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 27권 1호 발행 연도 : 2019 페이지 : pp. 25-48 (24 pages)

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This article is an attempt to understand the meanings of “hand” in the postmodern/posthuman world by reading two love stories written by an English writer/artist D. H. Lawrence (1885-1930) and a Canadian short-story writer Alice Munro (1931-): “You Touched Me” and “Hateship, Friendship, Courtship, Loveship, Marriage.” At the core of these stories hands play an important role in deconstruction of human relations by awakening what Walter Benjamin puts “the old co-ordination of the soul, the eye, and the hand” in his 1936 essay “The Storyteller.” Reading the short stories vis-à-vie Benjamin's theory of narratives and visual arts, love can be seen as a construction whose place is formed not in “homogenous and empty” aura, but in that which is fulfilled by the instant and sensual body living in here-and-now. Hands that touch each other symbolize no more than the opening of body toward the unknown and nameless other and perhaps one of the scarce resources to remain truly human in the posthuman era.

KCI등재

3로렌스 과일 시편에 나타난 열림과 포괄의 은유

저자 : 전영옥 ( Youngok Jeon )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 27권 1호 발행 연도 : 2019 페이지 : pp. 49-63 (15 pages)

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This paper has a purpose to show Lawrence's revolutionary try toward creating cracks and fissures in concentional metaphors and opening a “window to the sun.” His “Fruits” poems in Birds, Beasts and Flowers are an attempt to pork holes in-to open-the mechanistic paradigm, revealing that the paradigm itself is only a metaphor, not literal truth. Metaphors of openness and inclusiveness are remarkable in his poems. The Holy Ghost is the wedge that pries open the closed system of mechanism, thus opening these doors of receptivity. As such, it is a metaphor for Lawrence's conceptual schema of inclusiveness, his epistemology of “knowing togetherness.” The underworld in Lawrence's poems comprises entailments of separation and wholeness, death and birth, sexuality and completion: the underworld is both womb and tomb. The darkness of the underworld is never treated as the whole of life: the seeds push up from the ground; sunset yields to sunrise. Because Western culture has privileged the “light” side of the flux over the “dark,” darkness is the unknown, the fittest subject for exploration. To privilege the dark is as mechanistic as to privilege the light.

KCI등재

4아이의 성장: 『무지개』와 『사랑하는 여인들』에서의 딸

저자 : 황규완 ( Kyu Wan Hwang )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 27권 1호 발행 연도 : 2019 페이지 : pp. 65-85 (21 pages)

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The main characters in The Rainbow and Women in Love as a sort of family romance and bildungsroman are mostly daughters. The story of Ursula's growth is different from those of the former generation, Anna or Gertrude Morel. The odd characters and conflicts in her childhood are developed to the demands of independence and modernity as a young lady which are already intended by Lawrence in “Sisters” which became The Rainbow and Women in Love. She grows up into a woman as an individual, self-responsible being, taking her own initiative which had been deeply informed by her growth as a child through agon with the family, especially the father, Will, who gives the novels a characteristic of Oedipal romance. Her roles given by Lawrence are to seek the observation of the problem of today, the establishment of a new relation, or the readjustment of the old one, between men and women.

KCI등재

5From Metropole to Periphery: Lawrence Finding Himself and His Allegiances, in New Mexico

저자 : Feroza Jussawalla

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 27권 1호 발행 연도 : 2019 페이지 : pp. 87-107 (21 pages)

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D. H. Lawrence's journey and time in New Mexico can be seen as bildung, even a “hero's journey,” in the manner of Joseph Campbell. It is his awakening into the awareness of not belonging in his home country, but rather in the newness of American, even Mexican mystical connectedness to the land, to the “sense of place.” In this context and in the fact of his writing against the dominant hegemony, not only against the cultural and literary establishments of England, but the government that persecuted him and Frieda as possible spies, Lawrence can be reclassified as a “postcolonial” author. Lawrence was not welcome in the dominant literary circles of London at the time, those of Pound, Eliot and Lewis. Thus he finds himself by binary opposition to all that was British, “contrapuntally,” as Edward Said would say, almost as a New Mexican. New Mexico fulfilled for him his search for a belonging, an identity and a transcultural religion that gave expression to his mysticism. Thus we can see that Lawrence's attitude towards the Indians of New Mexico is not colonialist, but rather that of a transnational, hybrid, almost post-colonial wanderer.

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