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수록범위 : 1권0호(2009)~29권0호(2020) |수록논문 수 : 420
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29권0호(2020년 10월) 수록논문
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KCI등재

1수말(隋末)·당(唐) 건국기의 정정(政情)과 이세민(李世民) 당 태종 이세민 연구

저자 : 김성규 ( Kim Sungkeu )

발행기관 : 전북대학교 인문학연구소 간행물 : 건지인문학 29권 0호 발행 연도 : 2020 페이지 : pp. 5-26 (22 pages)

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This essay is a part of a series of my study aiming at doing a portrait of Li Shi Min, Taizong of Tang Dynasty, focussing on analyzing historical process from the time of late Sui Dynasty until Tang Dynasty had been established by Li Shi Min and his family member. Although there are an amount of studies about Li Shi Min in China, studies in Korea is very low in terms of number, so hopefully this essay can be a kind of cutting edge stimulating study related Li Shi Min in Korea as well as creating a another type of image of Li Shi Min. Based on precedent research and adding my own perspective, doing a new portrait of Li Shi Min is a purpose of this paper.

KCI등재

2사유습관과 경험의 재구성 ― 듀이의 경험주의에 따른 영화《벌새》의 내러티브 분석 ―

저자 : 김신자 ( Kim Shinja )

발행기관 : 전북대학교 인문학연구소 간행물 : 건지인문학 29권 0호 발행 연도 : 2020 페이지 : pp. 27-51 (25 pages)

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1. According to Dewey, “habits are arts.” This means not only that habit is not fixed, but also that habits creatively are to be changed. 2. According to Dewey, “man is creature of habit, not of reason nor yet of instinct.” This means that human being can remake his habit. Therefore “all virtues and vices are habits.”
3. The cinema, the House of Hummingbird deals with a number of habits such as patriarchal system, meritocracy, domestic violence, misogyny, sexism. etc. The heroine, Eunhee have experienced these habits and suffered from theses.
4. Sufferings from experiences of these bad habits lead to the reconstruction of experiences. The way of the reconstructing in experiences is the 'dramatic rehearsal' which means deliberation of various competing possible lines of action.
5. The following conclusion is that morality is continuing process not a fixed achievement. According to Dewey, “morals means growth of conduct in meaning; at least it means that kind of expansion in meaning which is consequent upon observations of the conditions and outcome of conduct”

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To add empirical data Wang Guowei claim that the time paleography was used is Warring state Period, this paper attempted to comparing and analyzing the 26 paleography of Shuowenjiezi and bronze inscription and Ancient Chinese characters copied on bamboo and silk in Chu Kingdom. As a result 77% of 26 paleography of Shuowenjiezi is relevant to Ancient Chinese characters copied on bamboo and silk in Chu kingdom. After all this paper could re-certify that the time paleography of Shuowenjiezi was used is Warring state Period.

KCI등재

4モノに対する働きかけ性の動詞の研究*-「模様がえの意味·用法」を中心に -

저자 : 薛根洙 ( Seol Geunsoo )

발행기관 : 전북대학교 인문학연구소 간행물 : 건지인문학 29권 0호 발행 연도 : 2020 페이지 : pp. 75-93 (19 pages)

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The purpose of this paper is to study the pattern of a thing that represents a change in e when the verb class of Moyougae works on a thing (a noun).
The "Wo case" noun, combined with the Moyougae verb, represents a variety of variations through physical interactions. Changes in by nouns are influenced by the action of verbs.In other words, the diversity of noun variations is due to the way of working, which is the lexical meaning of verbs.For example, Kurumi TamagoWoWaru represents a change in several parts: Take· HariganeWoWaru.
In, the word 'Yasai·GyunikuWoItameru' represents a change from the outside that makes a straight object curved, and the word 'Yasai/Gyuniku WoItameru' represents a change through the action of roasting it with oil.In this way, the classification of the Moyougae verb can be done according to the type of noun shown in the "Wo case" position.

KCI등재

5持ち主のやりもらい構文の構造とヴォイス性 ー元になる文との関係からー

저자 : 宋恵仙 ( Song Hyesun )

발행기관 : 전북대학교 인문학연구소 간행물 : 건지인문학 29권 0호 발행 연도 : 2020 페이지 : pp. 95-116 (22 pages)

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In this paper, give/take-type verb sentence structure was analyzed using the concept of the original verb sentence structure. As a result, in the original verb sentence structure, the sentence structure that affects the part of the action object, that is, the body and possessions, constituted the “owner give/take-type verb” sentence structure. The “owner give/take-type verb” sentence structure is a verb sentence structure in which give/take-type verbs are combined with the transitive verb sentence structure that the “no” role action object affects the possessions of “wo” role and “ni” role. A verb sentence structure such as "Taro washed Jiro's hair" affecting the "wo" role possessions becomes a sentence like "Taro gave Jiro a wash to the hair" in the give-type sentence and it becomes the sentence structure like "Jiro got his hair washed by Taro." in a take-type sentence. In addition, the original verb sentence structure such as ``Taro applied a moxa on Jiro's back'' affecting the ``ni'' role possessions becomes a sentence like ``Taro gave Jiro a moxa on the back'' in a give-type sentence, and ``Jiro got a moxa from Taro on the back'' in a take-type sentence. In other words, the "no" role, which is the beneficiary in the give-type verb sentence, changed to the "ga" role in the take-type verb sentence, and the affected "wo" role and "ni" role do not change. In addition, as a result of examining the voice feature of the ``owner give/take-type verb sentence structure'', it is observed that there is a confrontation structure, the same structure as "owner passive form", in which the owner of ``no'' role is replaced with ``ga'' role in take-type verb sentence structure.

KCI등재

6민속음악 '산조(散調)'의 악보화 양상과 담론에 관한 연구

저자 : 송호은 ( Song Hoeun )

발행기관 : 전북대학교 인문학연구소 간행물 : 건지인문학 29권 0호 발행 연도 : 2020 페이지 : pp. 117-135 (19 pages)

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There is a considerable gap between the notes that are played and the notes that have no score (oral) when scoring the music. However, textualization of music using various notation techniques, i.e., music scoring, shows that music can be delivered in multiple ways. As Sanjo, which was a piece of oral music that can be varied in various ways depending on the situation, is fixed in a space called musical paper through sheet music, on the one hand, subtle notes and autonomous rhythms tend to be fixed. On the other hand, the possibility of musical application has been expanded infinitely through the medium of the score. Of course, it is undeniable that various restrictions were imposed Sanjo after it was created as a sheet music. However, it was only at that time that Sanjo continued through the oral tradition. It was the traditional learning method of Sanjo and the limitation of the times.
Today, Sanjo, which has been scored, is standardized through the work of writing a record of memory, and Sanjo, which has been strengthened as 'Ryu', is transmitted as a standardized melody through various educational methods. Also, Sanjo, written in sheet music, was endowed with permanence and homeostasis.
Another aesthetics of Sanjo, which became sheet music, exists in the notes. To find the musical identity of Sanjo inherent in the note, the play- ers imagine, interpret, and ponder the sound in the note. The aesthetics of Sanjo's natural beauty, which remains unchanged even in the oral sanjo and sheet music sanjo, that is, the stubbornness of oral music that is alive even in sheet music, will be the true identity of Sanjo.

KCI등재

7ㅢ>ㅔ 변화에 대하여

저자 : 여은지 ( Yeo Eunji )

발행기관 : 전북대학교 인문학연구소 간행물 : 건지인문학 29권 0호 발행 연도 : 2020 페이지 : pp. 137-158 (22 pages)

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This article examines the distribution aspects of variations with ㅢ>ㅔ that occurred in the period of modern Korean language and discussed about the phonological characters of relevant variations. It also studies related notation variations and phonetic changes and revealed that ㅢ>ㅔ variations are a type of frontal monophthongization that appear in Korean language vowel system variation processes.
The second chapter examined the time of appearance and distribution environments of ㅢ>ㅔ variations but verified that it is difficult to discover any special phonological conditions other than second syllables. Hypotheses were made that ㅔ monophthongization occurred when ㅢ>ㅔ variations occurred. Chapter three made note that, because ㅓ>ㅡ vowel raising at the end of the 18th century mainly occurred in initial syllables and because ㅡ>ㅓ variations mainly occurred in southern dialect, it is difficult to tie them together as having the same characteristics as ㅢ>ㅔ variations. Thus, it views ㅢ>ㅔ variations as /Щj/>/e/ and not as /Щj/>/əj/ variations but argues that /Щj/>/e/ occurred after passing through [Щj]~[e] variation stages. Such confusion could have been caused as the frontal properties that j has in [Щj] affects [Щ] in the vowel system of that time when there were confusions about [Щ] due to the formation of high-low confrontations.

KCI등재

8토마스 아퀴나스의 윤리교설의 구조와 방법은 아리스토텔레스적인가?

저자 : 이상일 ( Lee Sangill )

발행기관 : 전북대학교 인문학연구소 간행물 : 건지인문학 29권 0호 발행 연도 : 2020 페이지 : pp. 159-183 (25 pages)

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On the discussion that how Thomas Aquinas appropriates or transforms theory in Aristotelian ethical theory. There have been two different allegations between the scholars. One is a philosophical elucidation. It is the averment that Thomas Aquinas appropriates or transforms Aristotle's theory on the purely Aristotle's philosophical basis by trying to reveal clearly and to develop Aristotle's primary intention. The other is a theological elucidation. It is the averment that Thomas Aquinas's exposition translations theologically Aristotelian ethical theory by elucidating Aristotle's theories.
AS for this, Here I review structure and method in the philosophical appropriation or transformation of Aristotelian ethical theory by Thomas Aquinas. From this point of view, parts and a whole as relation between secondary virtues and basic virtues, power and virtue as a method of analogy, the principles as a solution of difficulties.
In conclusion, Aristotle's ethics does not consider unnecessary commitments in natural philosophy or metaphysics, even at the cost, apparently, of leaving certain nagging difficulties unresolved. In the matter we have considered, Thomas Aquinas develops Aristotle's ethical theory in the EN by resolving difficulties inherent in the EN, drawing on principles taken from Aristotle's natural philosophy and metaphysics to do so. Thomas Aquinas's virtue ethics, through its broad reliance on Aristotelian philoso-phy, has a clever, deep, and compelling rational structure.

KCI등재

9가(歌)·무(舞)·악(樂)·희(戱) 연행공동체 남해안별신굿 고찰 ― 통영피리와 진춤을 중심으로 ―

저자 : 이정훈 ( Lee Junghoon )

발행기관 : 전북대학교 인문학연구소 간행물 : 건지인문학 29권 0호 발행 연도 : 2020 페이지 : pp. 185-202 (18 pages)

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This paper examines the characteristics of Tongyeong-Flute and Jin Dance. Currently, the Namhae Byeolsingut Preservation Society serves as a place for the production of Tongyeong Flute, Jin Dance, and Samhyeon Yukgak. This is because Tongyeong Flute is produced by the son of the owner, and Jin Dance is maintained at the site of the transmission of Byeolsingut on the southern coast. In this paper, it is understood that this particular feature stems from the local status of the Namhae Byeolsingut and the speciality of the Preservation Society itself. The tradition of the community of sing, dance, music, drama, which is pursued by the Namhae Byeolsingut Preservation Society, is in line with Tongyeong's application. Tongyeong was a military city created by the naval control center during the Joseon Dynasty. However, it also served as a space for the transmission of comprehensive art, focusing on the application for military city relocation. Tongyeong Flute and Jin Dance, which are handed down by the Southern Coast Byeolsingut Preservation Society, are modern successors of Tongyeong's application functions. The second is also unique in that the holder made all three children walk the path of musicians in order to overcome the crisis of losing the victory. The Namhae Byeolsingut faced the death of its key holders with the designation. The current holder is the youngest and has achieved the current stability after many twists and turns. Currently, the Namhae Byeolsingut Preservation Society consists of hereditary and learning dances, which continue the tradition. Tongyeong Flute and Jin Dance maintain the tradition of the byeolsingut on the southern coast, and the integrated space of Gamuakhee, which they aim for, is an essential element of the overall aesthetics of intangible heritage.

KCI등재

10양구 고대리유적 출토 합인석부(蛤刃石斧)의 표면관찰

저자 : 이창승 ( Lee Changseung )

발행기관 : 전북대학교 인문학연구소 간행물 : 건지인문학 29권 0호 발행 연도 : 2020 페이지 : pp. 203-221 (19 pages)

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This article is the result of analyzing the observable properties on the surface of the stone axe excavated from Yanggu Godaeri sits. The analyzed properties are the use of raw material, symmetry of plane shape and angle of blade.
The raw material used in the production of Stone axe was used selectively by granite gneiss. This is due to the rock features of raw material of granite gneiss and appears to have been optionally used in the site to suit the characteristics of Stone Axe, which has functions as felling tools.
In plane form symmetry, the head of the Stone axe, which corresponds to the opposite side of the blade, was observed. The asymmetrical form seen from the head of the Stone axe is completed at the stage of production and appears to be a form of pursuit of functionality rather than formative beauty. In other words, the difference in internal and external mass seen at the head of the Stone axe is a result of efficient use of force, along with the function of the Stone axe, which is mounted on the axe handle and causes circular motion.
Stone axe blades are distributed between 54 and 79° and generally show a high angle of not less than 60°. Along with the angle of the day, the case of experimental archaeology and the analysis of Wood Identification conducted in the site were reviewed together. As a result, it can be estimated that Stone axe with an angle of 63° or more was used for logging of hard wood for the construction of dwellings, and Stone axe with an angle of 55° or less was used for logging or processing soft wood for processing wood and securing firewood.

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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동41회 피인용

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