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한국중동학회> 한국중동학회논총> 팔레스타인 영화에 나타난 주제의식 연구: 하니 아부 아사드 감독의 영화를 중심으로

KCI등재

팔레스타인 영화에 나타난 주제의식 연구: 하니 아부 아사드 감독의 영화를 중심으로

A study on the Themes in Palestine Films: Focused on films directed by Hany Abu-Assad

김종남 ( Kim Jong-nam ) , 안정국 ( Ahn Jung-kook )
  • : 한국중동학회
  • : 한국중동학회논총 40권3호
  • : 연속간행물
  • : 2020년 02월
  • : 83-111(29pages)

DOI


목차

I. 서론
Ⅱ. 하니 아부 아사드 감독의 배경 및 성향
Ⅲ. 하니 아부 아사드 감독의 영화에 나타난 주제의식
Ⅳ. 결론
참고문헌

키워드 보기


초록 보기


						
This paper analyzed the symbolism and theme consciousness focused on four Palestine films directed by Hany Abu-Assad. This study was intended to examine the Palestine national historical background and film industry history, analyze Hany Abu-Assad’s previous interviews through diverse media channels and other film-related information, and finally figure out the director’s messages to the national and international public. Furthermore, it was aimed to research and identify Palestine films’ impacts, implications and relevant threshold in global society.
In recent years, Palestine films had a tendency to describe people who are able to think and behave in a subjective and independent manner, compared to the past Palestine films which were mainly based upon its ethnic orientations. With this change, international attentions and respects from global film festivals have been paid to Palestine films by inviting and awarding some of the Palestine films and directors. As predicted, Hany Abu-Assad was the very one of the representative Palestine film directors.
In this study, therefore, four Palestine films were examined as follows.
First, Rana’s wedding ( القدس في يوم أخر ) which describes women who live bravely even under the harsh surveillance and limitations, sealed off from the world outside. Second, Paradise Now ( الجنة الآن ) which shows two young men who live without any specific purposes by complaining on their realities. Third, Omar ( عمر ) which describes Palestine young generation who is mentally weak and fragile but with strong will and hope for their future lives. Fourth, The Idol ( يا طير الطاير ) which is for the hopes and wishes of Palestine children with songs, based on true stories.
This analysis on the four films produced by Hany Abu-Assad above was believed to give new opportunities to take a look at Palestine people’s real struggling lives, apart from the prevalent image of Palestine which was considered as a center of religious and political conflicts in international arena.

UCI(KEPA)

간행물정보

  • : 사회과학분야  > 정치/외교학
  • : KCI등재
  • :
  • : 연3회
  • : 1225-8865
  • :
  • : 학술지
  • : 연속간행물
  • : 1980-2020
  • : 740


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저자 : Abdullah A. Bouhamdi , Ko , Jong-hwan

발행기관 : 한국중동학회 간행물 : 한국중동학회논총 40권 3호 발행 연도 : 2020 페이지 : pp. 1-30 (30 pages)

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This paper aims to measure the potential effects of a Korea-GCC FTA using a Computable General Equilibrium (CGE) model. We use the Global Trade Analysis Project (GTAP) model and GTAP database version 9 with aggregated 19 regions and 21 sectors. Our primary objective is to measure the effects of two scenarios of a Korea-GCC FTA on GDP, welfare, total exports, terms of trade, and production by sector. The first scenario is 100 percent cuts of tariffs for the bilateral trade between Korea and the GCC countries. The second scenario is 100 percent cuts of tariffs and an increase in the Total Factor Productivity (TFP) as a result of the FTA. The simulation results show that technological changes have an obvious impact on Korea and the GCC countries. In addition, the FTA has a small effect on the GDP of Korea and the GCC countries. Moreover, Korea gains the most in welfare, followed by the UAE, Saudi Arabia, Kuwait, Qatar, Oman, and Bahrain. Additionally, the FTA has a positive effect on the total bilateral exports for Korea and the GCC countries. Kuwait gains the most in terms of trade followed by Qatar, Oman, the UAE, Saudi Arabia, Bahrain, and Korea. Finally, the FTA motivates the production of Korea's main exporting sectors to the GCC countries (automobiles, transportation equipment, construction products, and metal products), and the GCC countries' main exporting sectors to Korea (oil, gas, and petroleum products).

2지역연구의 종합성, 학제성과 한국의 MENA지역 연구

저자 : 정상률 ( Jung Sang-ryul )

발행기관 : 한국중동학회 간행물 : 한국중동학회논총 40권 3호 발행 연도 : 2020 페이지 : pp. 31-58 (28 pages)

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(기관인증 필요)

초록보기

Area studies began long ago on a 'travel diary' but today area studies which is characterized by 'practicality, synthesis and integration, interdisciplinary, consilience' germinated during World War I and began to become a major 'study' at U.S.A. in the postwar period. Area studies began at the level of 'practicality and utility', which required synthesis, interdisciplinary, convergent and consilience research. At the academic level, however, there has been a debate over academic hegemony between the disciplines(division studies) and area studies. After a fierce debate, there is a convergence between 'the methodology of division studies' and 'the regional specificity of area studies'.
Korea's MENA area studies began in 1980 with the publication of the Korean Journal of Middle East Studies, and it began to grow into a practical and interdisciplinary discipline from the 1990s, with the support of area research by the government and the establishment of 'a graduate school of international and area studies' in universities. However, when analyzing the papers published in the KJMES, some purpose has been achieved, but there are still insufficient aspects in terms of research methods called 'area studies'.

3이집트 영화에 나타난 이슬람 원리주의 연구 - 영화 <가잘의 피>와 <야쿠비얀 빌딩>을 중심으로 -

저자 : 이복례 ( Lee Bok-lye ) , 이종화 ( Lee Jong-wha )

발행기관 : 한국중동학회 간행물 : 한국중동학회논총 40권 3호 발행 연도 : 2020 페이지 : pp. 59-81 (23 pages)

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초록보기

The purpose of this paper is to compare and analyze how the films “Deer's Blood” and “Yacoubian Building”, produced in Egypt, express Islamic fundamentalism, and how characters in these films perceive it. Accordingly, this paper analyzes the text of two films, classifies the characters into 'multifaced/dynamic' and 'planar/stereotypical' character types, and analyzes expressions and perceptions of Islamic fundamentalism. This paper finds that there are two differences in the way the two films show Islamic fundamentalist figures. The first is that “Deer's Blood” only treats religious leaders and Muslims who have a fundamentalist disposition negatively, while “Yacoubian Building” criticizes fundamentalists and ethically denigrates all religious leaders regardless of their fundamentalist disposition. The second is that “Deer's Blood” focuses on personal motives, while “Yacoubian Building” emphasizes social motives in describing ordinary characters who have been transformed into fundamentalists.

4팔레스타인 영화에 나타난 주제의식 연구: 하니 아부 아사드 감독의 영화를 중심으로

저자 : 김종남 ( Kim Jong-nam ) , 안정국 ( Ahn Jung-kook )

발행기관 : 한국중동학회 간행물 : 한국중동학회논총 40권 3호 발행 연도 : 2020 페이지 : pp. 83-111 (29 pages)

다운로드

(기관인증 필요)

초록보기

This paper analyzed the symbolism and theme consciousness focused on four Palestine films directed by Hany Abu-Assad. This study was intended to examine the Palestine national historical background and film industry history, analyze Hany Abu-Assad's previous interviews through diverse media channels and other film-related information, and finally figure out the director's messages to the national and international public. Furthermore, it was aimed to research and identify Palestine films' impacts, implications and relevant threshold in global society.
In recent years, Palestine films had a tendency to describe people who are able to think and behave in a subjective and independent manner, compared to the past Palestine films which were mainly based upon its ethnic orientations. With this change, international attentions and respects from global film festivals have been paid to Palestine films by inviting and awarding some of the Palestine films and directors. As predicted, Hany Abu-Assad was the very one of the representative Palestine film directors.
In this study, therefore, four Palestine films were examined as follows.
First, Rana's wedding ( القدس في يوم أخر ) which describes women who live bravely even under the harsh surveillance and limitations, sealed off from the world outside. Second, Paradise Now ( الجنة الآن ) which shows two young men who live without any specific purposes by complaining on their realities. Third, Omar ( عمر ) which describes Palestine young generation who is mentally weak and fragile but with strong will and hope for their future lives. Fourth, The Idol ( يا طير الطاير ) which is for the hopes and wishes of Palestine children with songs, based on true stories.
This analysis on the four films produced by Hany Abu-Assad above was believed to give new opportunities to take a look at Palestine people's real struggling lives, apart from the prevalent image of Palestine which was considered as a center of religious and political conflicts in international arena.

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