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수록정보
수록범위 : 1권0호(1973)~108권0호(2021) |수록논문 수 : 1,473
중국문학
108권0호(2021년 08월) 수록논문
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KCI등재

1혜림 《일체경음의》의 한국 전파와 중국의 재유입

저자 : 신원철 ( Shin¸ Wonchul )

발행기관 : 한국중국어문학회 간행물 : 중국문학 108권 0호 발행 연도 : 2021 페이지 : pp. 1-16 (16 pages)

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This thesis aims to deal with the whole story of how Huilin慧琳's Yiqiejingyinyi(一切經音義, lit. The pronunciation and meaning of vocabularies of all the Buddhist classics, abbr. Huilinyinyi慧琳音義) was propagated to Korea, preserved, and reintroduced into China. Huilinyinyi was written in A.D. 807(Tang唐 dynasty of China) by Buddhist monk Huilin born in Shule疏勒 country. Yiqiejingyinyi was a handbook which was, before Huilin wrote, edited in A.D. 649(early Tang dynasty) by Xuanying玄應, and after Huilin's work were revised by many Buddhist scholar. Among them, The particularity of Huilinyinyi is that Huilin, as a foreigner, explained the pronunciation and the meaning of the vocabularies in the Buddhist classics translated into Chinese through Chinese classics and linguistics works. It can be assumed that such work was pursed in terms of understanding and curiosity of Chinese as a foreigner. Huilinyinyi was recorded in the Tripitaka Koreana of Haeinsa Temple해인사(海印寺) that remains today, i.e. Koryo jaejo daejangkyong고려재조대장경(高麗再雕大藏經) which is a complete edition of the Buddhist classics, which was affected by Kaibaochibandazangjing開寶敕版大藏經 in Song宋 dynasty and Kitai契丹 Tripitaka. Huilinyinyi belongs to the vocabulary section in this edition. However Huilinyinyi were omitted from later editions in China because of inconsistence in language environments and complex structure hard to find. In Qing清 dynasty, due to the development of philological studies, Yiqiejingyinyi, which preserves the results of previous research, attracted attention. But the scholars in that period, there was no Huilinyinyi, referred to Xuanying's work. Huilinyinyi was reintroduced into China by Yang Shoujing楊守敬, a scholar in late Qing dynasty.

KCI등재

2《만물진원》의 간행과 17∼18세기 유교 지식인의 반응 ―제10편 창조설을 중심으로

저자 : 최정연 ( Choi¸ Jeongyeon )

발행기관 : 한국중국어문학회 간행물 : 중국문학 108권 0호 발행 연도 : 2021 페이지 : pp. 17-43 (27 pages)

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This article compares and examines the responses of Chinese and Joseon Confucian intellectuals to the theory of Creation in Wanwu zhenyuan. Wanwu zhenyuan is an exclamation book written by Aleni, a Jesuit in China, that proves that the 'true origin of all things' is God and introduces the process of Creation. It has exerted considerable influence in China since its publication in Beijing in 1628.
The doctrines of Wanwu zhenyuan caused animosity among local intellectuals. The reasons were many, but one of the main ones was the aggressive and exclusive attitude of the Jesuit missionaries toward the Confucian tradition and cultural authority. In particular, the notion of the Hell that even the ancient kings, the creators of Confucian civilization and bearers of truth, can not ascend to heaven seems to reinforce the resistance of Confucian intellectuals such as Huangzhen and Xudashou.
In the 18th century, Joseon intellectuals who viewed Wanwu zhenyuan showed a different aspect from Chinese intellectuals in that they criticized it academically. After the Jinsan Incident in 1791, while the problem of Seohak became publicly debated at the national level and negative perceptions about it were strengthened, Nam Geukgwan and Hong Jeongha approached it carefully and dealt with it in the context of traditional knowledge. Their attitude can be said to be different from other anti-Seohak intellectuals who exclusively rejected Seohak before and after the Jinsan incident, and it can be said that they were far from the rigid atmosphere of the 19th century intellectual circle that completely denied Seohak and reproduced crude criticism.

KCI등재

3인공지능 시대 중국어 음성학·음운론·음성인식의 언어관과 연구방법론

저자 : 한서영 ( Han¸ Seoyoung )

발행기관 : 한국중국어문학회 간행물 : 중국문학 108권 0호 발행 연도 : 2021 페이지 : pp. 45-67 (23 pages)

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The aim of this study is to explore human knowledge of language by comparing the research methodology of Chinese speech recognition, phonetics, and phonology in the era of artificial intelligence. By doing this, this study tries to analyze underlying linguistic views in every methods. We first described an acoustic model and a language model in the speech recognition model. A speech chain of human communication was also described to find common ground with the speech recognition model. Then, using the phonetic weakening variant of modern Chinese function word “ge”, a rule-based generative phonological framework has been adapted based on rationalistic views. The view of the first-generation artificial intelligence was also discussed in this regard. Furthermore, the constraint weights for the phonetic weakening variant of “ge” were obtained based on the Harmonic grammar and the Maximum entropy model. These modeling were in relation to machine learning of second-generation artificial intelligence based on an empirical perspective. To conclude, it was revealed that knowledge of human speech is probabilistic. Furthermore, due to a great deal of big data training, mutual AI is expected to be able to learn about the universal grammar of human language, but it was pointed out that the limits are still clear in terms of functionalism and pragmatics.

KCI등재

4온택트(Ontact) 시대 중국어문학 데이터 시각화와 데이터 플랫폼 구축 전략

저자 : 박정원 ( Park¸ Jeong Weon )

발행기관 : 한국중국어문학회 간행물 : 중국문학 108권 0호 발행 연도 : 2021 페이지 : pp. 69-91 (23 pages)

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This paper analyzes the source-specific visualization strategies of Chinese textual data to enhance communication with students and ensure scalability of sharing, and the establishment of data service platforms that can serve and utilize them online.
Specifically, data visualization analyzes strategies by classifying them into Subtitle, Ebook, AI TTS, Interactive Contents, Timeline, and Space, depending on the type of Chinese text source. On service platforms, we classify them into complete platforms such as Google Sites and generative platforms such as Wordpress LMS.
Through data visualization and service platform proposed in this paper, we believe that we can enhance the operational capability of Chinese query types and maximize the efficiency of online education by serving them online.

KCI등재

5이백의 시문에 나타난 불교와 공성신퇴의 상관적 고찰

저자 : 임도현 ( Lim¸ Dohyun )

발행기관 : 한국중국어문학회 간행물 : 중국문학 108권 0호 발행 연도 : 2021 페이지 : pp. 93-111 (19 pages)

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This paper analyzes the contents of Buddhism in the poems and sentences of Li Bai and examines the aspect of his pursuit of the political achievement.
Li Bai was as interested in Buddhism as Taoism, especially his knowledge of the zen. Through the silent zene, he was able to shake off the thoughts of the world and realize the emptiness of wealth and political achievement. This state was almost identical to that of Buddha. Li Bai, who failed to pursue political achievement, was able to soothe his impoverished mind and body.
At that time, Taoism and Buddhism were shared in a lot of philosophical ideologies, and Buddhism which he believed also had a lot of mixed content with Taoism. For Li Bai, the title of Taoism and Buddhism was not important, but whether it could actually help him pursue his ideals. Li Bai wanted to gain the reputation of a hermit without vulgarity in Buddhism. Based on this, he tried to gain recognition from the public and move to government posts.
Li Bai was associated with various monks. In particular, he liked to associate with monks who had a hermitry reputation. Through this, Li Bai tried to show off his fame as a hermitry. He also sought help from assistants who would lead him to government posts and by playing around the temple.

KCI등재

6李白 詩에서의 虛實 交叉 이미지 연구

저자 : 김예림 ( Kim¸ Ye Rim ) , 김준연 ( Kim¸ Joonyoun )

발행기관 : 한국중국어문학회 간행물 : 중국문학 108권 0호 발행 연도 : 2021 페이지 : pp. 113-139 (27 pages)

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This study focused on analyzing Tang Poet Li Bai's poetic image on natural scenery. Through the study we found out his ways of composing the image did not only base on 'real scenery.' He also used 'virtual' component on the 'actual' component to form a image which contains multi layer of reality as well as fantasy in one picture. This crossing image of 'reality' and 'virtuality' allowed the poet to create image different from the other poet of his time. This image was formed firstly through method of 'reflecting.' Through reflective surface Li Bai was able to portray his inner feelings to be in a same frame as the actual outer object. He not only did this on reflective surface, his portrayal of two different component was in a same picture on non-reflective object which we set 'Art Work' as a main example. This phenomenon work of crossing two different component was also done through 'image metaphor (moving image)', which poet used when changing original state of object to something else. This creation of artistic image allowed his poetic image to have 'aesthetic effect' of forming image with persuasive fantastical surroundings. It also effectively intensified the invisible feelings to be expressed within the visible object. Last but not least this method diversified topic from simplicity to the state of complexity.

KCI등재

7洪業(William Hung)이 구축한 杜詩 읽기의 새로운 방법론

저자 : 최석원 ( Choi¸ Seokwon )

발행기관 : 한국중국어문학회 간행물 : 중국문학 108권 0호 발행 연도 : 2021 페이지 : pp. 141-159 (19 pages)

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This study considered William Hung's reading of Du-fu's poems, who stood on the boundary between the East and the West, to examine the diversity of interpretation according to changes in time and space. As can be seen from the early evaluation of Du-fu presented by Liang-Qichao, the evaluation of modern Du-fu's poems shows a different aspect from that of the traditional period. William Hung attempted to identify the creative date of Du-fu's work and index the Du-fu's works, reflecting a change in the perception of Du-fu's poetry after modern times, and a new academic trend in the West. It is said that this led to changes in reading Du-fu's poetry, which is different from traditions.

KCI등재

8독립지사 申圭植 漢詩集 《兒目淚》 연구 (Ⅰ) ―작품 繫年과 解說을 중심으로

저자 : 진옥경 ( Jin¸ Ok Kyong )

발행기관 : 한국중국어문학회 간행물 : 중국문학 108권 0호 발행 연도 : 2021 페이지 : pp. 161-238 (78 pages)

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Yekwan(睨觀) Shin Gyushik(申圭植) was an outstanding politician who escaped Japanese colonial rule, fled to China, where the Chinese revolution was in full swing. He communicated with Chinese revolutionaries and participated in their revolutionary projects, gaining friendship and cooperation. His collection of Chinese poems, “Ah mok lu(兒目淚)”, contains the history of the tearful independence movement that overcame difficult times while interacting and communicating with Korean and Chinese friends. This article was attempted to recreate the traces of his passion, conflict, and frustration that remained intact in his poetical works of “Ah mok lu(兒目淚)”, and was discussed in three specific steps.
First of all, through the works of “Ah mok lu” and other materials, a set of criteria was prepared to specify the timing of each work's production. In accordance with this criterion, we have identified the background and timing of production of works that were not covered in existing studies, correcting and supplementing errors in previous research results. Based on this, the works of the first half of exile were chronologically arranged, and the literary techniques, formal characteristics, origins of the works were analyzed, identifying the reality of the events he experienced in exile and the emotions he felt.

KCI등재

9宋代 通俗詞派의 存在, 特徵과 그 意義

저자 : 朴泓俊 ( Park¸ Hongjun )

발행기관 : 한국중국어문학회 간행물 : 중국문학 108권 0호 발행 연도 : 2021 페이지 : pp. 239-259 (21 pages)

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In the flow of Tang-Song-Ci, there were many writers with similar characteristics to Liu-yong. They were not concentrated at any one time, but existed throughout each period. In this paper, we will temporarily refer to it as a Popular lyric Group, reflecting its characteristics. They actively adopted the system of Man-ci as a form, actively used spoken language, and adopted the Pu-xu's expression style. The work also pioneered a new area of a Life Lyric, creating a variety of songs that were closely related to the lives of the people of Song Dynasty. Many of the above features were changes that shook the existing framework of Song-ci, and the direction of the change was to accept all the characteristics of folk literature to Song-ci area. The independent recognition of the popular social group is required, along with a review of the two-part method of dividing Song-ci's Faction into Wan-yue and Hao-fang. In addition, it is necessary to evaluate the significance of literature history by recognizing that the typical pattern of Chinese literature, in which the activities of Popular lyric Groups are transmitted from private literature to literary literature, is reflected in Song Dynasty.

KCI등재

10채련곡의 공연방식과 그 문학화 고찰―《악부시집(樂府詩集)》 수록 채련곡(采蓮曲)을 중심으로

저자 : 김수희 ( Kim¸ Soohee )

발행기관 : 한국중국어문학회 간행물 : 중국문학 108권 0호 발행 연도 : 2021 페이지 : pp. 261-281 (21 pages)

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This article holds the view that Cailian songs have been performed since the Han Dynasty, so the method of performances have been reflected in Lotus-picking lyrics. Lotus-picking lyrics has two ways of performing: singing way and musical dance. First of all, in terms of Xianghe song style, Lotus-picking lyrics also makes literary use of hesheng. In chorus, the form of exchanging songs is expressed in the conversation, especially the literati objectively describe the two characters and then convey their conversations. Next, in terms of musical dance performances, the literati choose a first-person female speaker and express her dedication. They also focus on portraying female characters, so lotus belong to the world of female characters. This makes it easy to understand the Southern Dynasties Palace style poetry, a later love poem, and the early Ci poetry.

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